Sammy's little brother Ari arrives at the academy throwing Sammy's hectic life schedule into havoc. Kat auditions to be a football cheerleader, happily encouraged by Ben. And Tara is having self-esteem issues.
The end of year performance of The Nutcracker at the Opera House has finally arrived and Tara continues to perform her role so badly that it seems Abigail will be re-cast in her place. Does Tara have what it takes to put everything she has learnt this year into practice and find the courage to stand centre stage?
It's judgement day. The third years sit before the company panel and learn their fate - who will be offered a professional contract with the National Ballet Company and who will have to find a new dream?
It's three weeks into third year and Tara and her friends are already feeling the pressure. Speculation bubbles when the National Ballet Company announces it needs three temporary fill-in roles in the corps de ballet.
Mocking her friends' obsession with teen popstar, Myles Kelly, Kat creates a video of herself dancing to one of his songs and then posts it on the internet. She is surprised when the record company invites her to dance in Myles's next video clip ... and stunned when sparks fly between herself and the heart-throb.
It's a month since Tara's injury and her plaster is due to come off but Tara seems much more focused on her new boyfriend, Christian, and organising the school formal. Sammy and Abigail decide take their relationship to the next level and Ethan is offered an early contract with the company.
Christian is ready for his court date but everything unravels when old loyalties cause him to change his story. Kat is shocked to learn her brother is moving overseas and in an attempt to get him to stay, tries to reignite the flame between Ethan and Tara.
Jean Christophe Maillot's creation for the Ballets de Monte Carlo is a highly charged and erotic interpretation of Ravel's ballet, discarding the traditional pointes and adopting a loose and sensuous choreography which goes well beyond the classical repertoire.
This short film addresses the revolving cycles of human conflict through contemporary dance. Celebrated choreographer Crystal Pite and dance filmmakers Marlene Millar & Philip Szporer commemorate the fading legacies of WWI, while also creating a moving homage to Pite's mentors and contemporaries, whose lives and short careers are pitted against the fleeting nature of the dance art form.
Less than two years after choreographer Roland Petit's death, La Scala's staging of the 1965 ballet Notre Dame de Paris gives the opportunity to re-examine what is considered one of his masterpieces. This Notre-Dame moves on from 19th-century ballet versions of Victor Hugo's novel to tell a streamlined, rather less sentimental story. The score by Maurice Jarre is relentlessly dark and Yves Saint Laurent's costumes range from simple, colourful tunics to Quasimodo's grey cloak. Italian star Roberto Bolle is Quasimodo opposite Natalia Osipova, the former Bolshoi star's Esmeralda, who performs gravity-defying leaps for which she is famous.
In 2008, world-famous dancer and choreographer Pina Bausch selected 40 teenagers who had never heard her name to be part of the dance performance 'Kontakthof'. Within 10 months till the opening night, the young dancers discover Bausch's genius and their own bodies. Pina Bausch died in 2009. The film is a testimony of her revolutionary work.
To celebrate the centenary of Sergei Diaghilev's Ballets Russes, these are three works commissioned from choreographers Wayne McGregor (Dyad 1909), Sidi Larbi Cherkaoui (Faun) and Russell Maliphant (Afterlight) which aim to reflect the revolutionary spirit of the original performances by Nijinsky and the Russian troupe. Before each performance, short inserts provide some background information while the choreographers discuss the sources of inspiration for each piece.
Three ambitious and moving dance performances created by choreographer Wayne McGregor for the Royal Ballet. Fluid movements and athleticism combine to create a fascinating hybrid between classical and modern dance.
Stravinsky's Rite of Spring has long been part of the core ballet repertoire since its scandalous opening in 1921, and is now recognised as one of the pinnacles of Western art. Productions however still push boundaries in their depiction of animalistic, primitive human behaviour. This performance from one of the top ballet ensembles in the world from Leipzig, is one of the last works of Uwe Scholz, whose reputation since his early death has risen, making him one of the 20th century's top choreographers.
A celebration of three timeless ballets - Firebird, Petrouchka, and Les Sylphides - performed by The Australian Ballet at the Sydney Opera House. Hosted by Jennifer Byrne and Chris Taylor, Firebird and other legends features choreographer, Graeme Murphy's brand-new interpretation of Firebird, plus two of Mikhail Fokine's best-known works, the sublime Les Sylphides and the vibrant ballet classic Petrouchka.
One of three ambitious and moving dance performances created by choreographer Wayne McGregor for the Royal Ballet. Fluid movements and athleticism combine to create a fascinating hybrid between classical and modern dance.
Four dances, each representing one of the four elements - air, earth, water and fire. The dances for each element have been choreographed to three different, often contrasting, pieces of classical music.
Christian reluctantly agrees to dance in Ethan's showcase but can't stand the derivative choreography. In order to show this ballet boy some real hip-hop, Christian takes Ethan home to Maroubra. Sammy admits to having feelings for someone at the academy and while Tara and Kat try to figure out her identity, Tara gives Kat a lesson on what it means to have a crush.
The first years are given trust exercises to help forge connections with their pas de deux partners. Tara is frustrated when Christian refuses to participate, however they connect unexpectedly when Tara follows him to the beach and Christian rescues her from a dangerous situation. Meanwhile Kat feels betrayed by Tara's secret crush on Ethan and Sammy finds himself tied to Abigail for 24 hours.
Tara returns from the holidays excited to have been awarded the first year scholarship. However, this soon turns to disappointment when Kat leaves her standing alone outside a warehouse party the night before their first ballet class. Abigail is trying to be a perfect patient in her therapy sessions but has to ask for help in order to start tackling the real issues behind her eating disorder.
Rehearsals for The Nutcracker are underway. Tara is playing the role of Clara and quickly discovers that being the star is not all its cracked up to be as Abigail's claws re-emerge. Sammy is forced to admit that his feelings for Christian have moved beyond that of just friendship and Myles Kelly returns to rescue Kat from the costume dungeon where she has been exiled since walking out of her audition.
Tara finds a new mentor to admire in Saskia Duncan, the youngest principal dancer in the Company's history. Saskia takes Tara under her wing, but gives her a few things to worry about such as if there's a future with Christian.
When the board decides to cut hip hop and jazz from the curriculum Kat goes on the warpath, blaming her mother for this change. Tara and Christian find themselves together at the beach and their spark is rekindled, so much so that they lose track of time and are running late for the Patron's Showcase performance when Tara trips and badly injures herself.
Kat finally makes friends with the coterie of outcast girls at school, but despite having sworn off dancing, finds herself helping them choreograph a piece for drama class. Meanwhile, Ben Tickle is upgraded into second year.
Charting the history of dance on television and in film, from early sequences at the beginning of the 20th century through Isadora Duncan to Fred Astaire, Roland Petit, Bejart and on to Pina Bausch and Matthew Bourne, this rich treasure chest of archives from cinema and television will illustrate dance in all its many guises.
First staged at Sadler's Wells in London in 1995, Bourne's acclaimed version of Swan Lake is famous for having the swans danced by men rather than women. The ballet has been hugely successful and won many prestigious awards.
Fifty years ago this week, the Australian Ballet presented its first performance at Her Majesty's Theatre in Sydney. To celebrate, the company is presenting a 50th Anniversary Gala which is being especially filmed for Sunday Arts.
Ondine is a three-act ballet originally created for The Royal Ballet by the choreographer Sir Frederick Ashton and composer Hans Werner Henze in 1958. In 1958 and through until 1966, Margot Fonteyn performed the star role of the water nymph Ondine. This 50th anniversary revival by The Royal Ballet and performed at the Royal Opera House brings new stars to the stage with Miyako Yoshida as Ondine and Edward Watson as the young mortal Palemon.
Sydney Dance Company (SDC) presented the world premiere of Artistic Director Rafael Bonachela's 2 One Another at Sydney Theatre in March 2012 and now it comes to ABC2 LIVE for all to enjoy. 2 One Another explores and celebrates relationships, interactions and the beauty of the human form.
With exams finally over, both the boys and girls go out to let off some steam. However, Sammy is tense after failing his exams, Tara's still hurting from her breakup, and Grace decides to stir up trouble.
Tara's preparations for the Prix de Fonteyn are struck a devastating blow when Saskia's bullying results in an injury. Meanwhile, Kat convinces Miss Raine to grant her an audition to return to the academy.
Tara arrives at the Academy excited about the year ahead but soon discovers that she is the worst dancer in the class. As Tara struggles to fit in, she learns the hard way to respect her teachers, who her true friends are, and to watch her back around her roommate Abigail.
When Tara's crush on Ethan threatens to derail her friendship with Kat, Sammy gets her to write a pros and cons list to clear her head. As the roommate war escalates, Abigail wins a decisive victory - emailing Tara's list to the whole school. Christian finds himself in the custody of the police and, with nowhere else to go, has to accept his place at the Academy.
Christian's best mate Aaron comes to stay and reveals the truth about the robbery they committed. Later, Aaron uses Christian as an alibi forcing Christian to lie to the police, and to question whether old friends are necessarily good friends. Meanwhile, Abigail's control issues are spiralling out of control and she is caught shoplifting.
Country girl Tara Webster travels to Sydney to audition for the prestigious National Academy of Dance. It's a tumultuous week as she realises her dream is going to be a lot more difficult than she thought.
Pressure is building at the academy as the students prepare for exams. Tara tries to ignore her recent "almost-pash" with Ethan in an attempt to stay focused. With her sights set on the first year scholarship, Abigail pushes herself too far and severely restricts her eating.
It's Open Week at the academy and Tara discovers she is embarrassed by her unsophisticated parents, especially around her new boyfriend Ethan. Her mum later reveals that the farm is in serious financial trouble and her expensive tuition fees aren't helping. Meanwhile, Kat's mother reneges on her promised family holiday and Sammy's father also disappoints by failing to show up to watch him dance. Abigail is stuck at home in bed and finds a friend in Sammy.
The Institute of Sport's Australian Rules Forward Squad has been sent to the academy for some specialised training and the challenge is soon on, between the dancers and the footballers, to prove which is the toughest sport. Miss Raine has chosen Tara and Abigail to do daily private classes and Tara finally learns why Abigail hates her so much.
Prince Siegfried, heir to the kingdom, must nominate a wife at his birthday ball. Upset that he cannot marry for love, Siegfried escapes into the forest at night. When he sees a flock of swans flying overhead, he prepares to shoot one with his crossbow. But as the swans land, he stops; before him is a beautiful creature in white feathers, more woman than swan. Enamoured, the two dance and Siegfried learns that the swan maiden is the princess Odette.