It's judgement day. The third years sit before the company panel and learn their fate - who will be offered a professional contract with the National Ballet Company and who will have to find a new dream?
Auditions for the National Ballet Company have arrived bringing superstitions, old competitive battle lines and the performances that will determine the rest of their lives.
The countdown to the final company auditions has begun when suddenly it becomes a whole new playing field; and Christian and Tara come to a final resolution about their relationship.
Christian and Ollie prepare for Streetbeatz, a major hip-hop competition; Kat prepares to audition for a minor role in Coppelia; and Ben takes a stab at revenge.
In October 2012, Ella Havelka became the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history. It was an announcement that made news headlines nationwide. A descendant of the Wiradjuri people, we follow Ella's inspirational journey from the regional town of Dubbo and onto the world stage of The Australian Ballet. Featuring intimate interviews, dynamic dance sequences, and a stunning array of archival material, this moving documentary follows Ella as she explores her cultural identity and gives us a rare glimpse into life as an elite ballet dancer within the largest company in the southern hemisphere.
A career-making performance opportunity brings out the best and worst in everyone, and an injury that sidelines Ollie prompts him to use someone to get ahead.
On the final leg of their tour, the third years are invited to a traditional Indigenous ceremony and return the hospitality by offering a dance class to the local kids. Christian finds he is an unexpectedly good teacher.
The third years are having the time of their lives on the road, but are prioritising fun over performance. Back at the Academy, Kat clashes with the movie's third assistant director, Jamie.
The academy goes a little Hollywood when a film crew uses their building as a location for a new indie movie, and Grace tries to undermine a new relationship to guarantee her position on the tour.
Saskia arranges a special audition with the Company's artistic director for her protege, Ben; Grace's world implodes; and Zach allows Christian to participate in a music video Ollie is producing.
Ben is flattered when Saskia offers to be his mentor and it becomes clear there's potential for them to dance together brilliantly.
Kat struggles to stay positive and her determination to advance into third year is morphing into dangerous patterns. Meanwhile, Grace plays matchmaker, and Christian's lost his place at the academy.
On their first day as fill-in dancers, Tara, Grace and Ben encounter cliques in the corps de ballet. Meanwhile, Christian has no interest in going back to the academy.
It's three weeks into third year and Tara and her friends are already feeling the pressure. Speculation bubbles when the National Ballet Company announces it needs three temporary fill-in roles in the corps de ballet.
Abigail and Tara join forces to go head-to-head with a formidable enemy. Christian has to choose between the girl he loves and his desire to escape and Ben is offered an opportunity of a lifetime.
After a sudden tragedy, the Academy students must find a way to come together and help each other out in this time of darkness.
The Prix de Fonteyn is two days away. Tara is stunned as Grace has returned to Sydney as a representative for the UK Prix team. The students' lives are changed forever when a tragedy strikes the Academy.
During rehearsals of Peter Pan Ben uses various tactics to prove to Tara he's a leading man, while Kat's efforts to research her character in the production lead to a realisation about her relationship.
This feature is only available for subscribers. Please contact your EnhanceTV school administrator or email email@example.com